Recommended reading.

Lisa Solomon (2023) ‘Inventing the Future (Taylor’s Version)’: https://medium.com/@lisakaysolomon/inventing-the-future-taylors-version-e62bc19e9e98

‘A superfan attends a Victoria University seminar on Taylor Swift’ by Lyric Waiwiri-Smith: https://www.stuff.co.nz/life-style/ensemble/300722400/a-superfan-attends-a-victoria-university-seminar-on-taylor-swift

Special issue of Contemporary Music Review: https://www.tandfonline.com/toc/gcmr20/40/1

Special Issue of Post 45:

https://post45.org/sections/contemporaries-essays/tis-the-damn-season-taylor-swifts-evermore/

Simone Driessen (2022) ‘Look what you made them do: understanding fans’ affective responses to Taylor Swift’s political coming-out’, Celebrity Studies, 13:1, 93-96, DOI:10.1080/19392397.2021.2023851

Maryn Wilkinson (2019) ‘Taylor Swift: the hardest working, zaniest girl in show business…’, Celebrity Studies, 10:3, 441-444, DOI: 10.1080/19392397.2019.1630160

Gwendelyn Nisbett & Stephanie Schartel Dunn (2021) ‘Reputation matters: parasocial attachment, narrative engagement, and the 2018 Taylor Swift political endorsement’, Atlantic Journal of Communication, 29:1, 26-38, DOI: 10.1080/15456870.2019.1704758

Margaret Rossman (2022) ‘Taylor Swift, remediating the self, and nostalgic girlhood in tween music fandom’ DOI: https://doi.org/10.3983/twc.2022.2287